Soundtrack - Wikipedia. A soundtrack, also written sound track,[1] can be recorded music accompanying and synchronized to the images of a motion picture, book, television program or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film, video or television presentation; or the physical area of a film that contains the synchronized recorded sound. Origin of the term[edit]In movie industry terminology usage, a sound track is an audio recording created or used in film production or post- production. Initially the dialogue, sound effects, and music in a film each has its own separate track (dialogue track, sound effects track, and music track), and these are mixed together to make what is called the composite track, which is heard in the film. A dubbing track is often later created when films are dubbed into another language. This is also known as a M & E track (music and effects) containing all sound elements minus dialogue which is then supplied by the foreign distributor in the native language of its territory.

The contraction soundtrack came into public consciousness with the advent of so- called "soundtrack albums" in the late 1. First conceived by movie companies as a promotional gimmick for new films, these commercially available recordings were labeled and advertised as "music from the original motion picture soundtrack", or "music from and inspired by the motion picture." These phrases were soon shortened to just "original motion picture soundtrack." More accurately, such recordings are made from a film's music track, because they usually consist of the isolated music from a film, not the composite (sound) track with dialogue and sound effects. The abbreviation OST is often used to describe the musical soundtrack on a recorded medium, such as CD, and it stands for Original Soundtrack; however, it is sometimes also used to differentiate the original music heard and recorded versus a rerecording or cover of the music. Types of recordings[edit]There are five types of soundtrack recordings: Musical film soundtracks which concentrate primarily on the songs(Examples: Grease, Singin' in the Rain)Film scores which showcase the background music from non- musicals(Examples: Star Wars, The Lord of the Rings)Albums of pop songs heard in whole or part in the background of non- musicals(Examples: Sleepless in Seattle, When Harry Met Sally..)Video game soundtracks are often released after a game's release, usually consisting of the background music from the game's levels, menus, title screens, promo material (such as entire songs of which only segments were used in the game), cut- screens and occasionally sound- effects used in the game(Examples: Sonic Heroes, The Legend of Zelda: Ocarina of Time)Albums which contain both music and dialogue from the film, such as the 1.

Romeo and Juliet, or the first authentic soundtrack album of The Wizard of Oz. The soundtrack to the 1. Walt Disney animated film Snow White and the Seven Dwarfs was the first commercially issued film soundtrack.[2] It was released by RCA Victor Records on multiple 7. RPM discs in January 1.

Songs from Walt Disney's Snow White and the Seven Dwarfs (with the Same Characters and Sound Effects as in the Film of That Title) and has since seen numerous expansions and reissues. The first live- action musical film to have a commercially issued soundtrack album was MGM’s 1. Show Boat composer Jerome Kern, Till the Clouds Roll By. The album was originally issued as a set of four 1. Only eight selections from the film were included in this first edition of the album.

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In order to fit the songs onto the record sides the musical material needed editing and manipulation. This was before tape existed, so the record producer needed to copy segments from the playback discs used on set, then copy and re- copy them from one disc to another adding transitions and cross- fades until the final master was created. Needless to say, it was several generations removed from the original and the sound quality suffered for it. The playback recordings were purposely recorded very "dry" (without reverberation); otherwise it would come across as too hollow sounding in large movie theatres.

This made these albums sound flat and boxy. Terminology[edit]MGM Records called these "original cast albums" in the style of Decca Broadway show cast albums mostly because the material on the disc(s) would not lock to picture, thereby creating the largest distinction between `Original Motion Picture Soundtrack' which, in its strictest sense would contain music that would lock to picture if the home user would play one alongside the other and `Original Cast Soundtrack' which in its strictest sense would refer to studio recordings of film music by the original film cast, but which had been edited and/or rearranged for time and content and would not lock to picture. In reality, however, soundtrack producers remain ambiguous about this distinction, and titles in which the music on the album does lock to picture may be labeled as OCS and music from an album that does not lock to picture may be referred to as OMPS. The phrase "recorded directly from the soundtrack" was used for a while in the 1. M& E) the aforementioned alternate masters and alternate vocal and solo performances which could be located were included in their place. As a result of all this nebulosity, over the years the term "soundtrack" began to be commonly applied to any recording from a film, whether taken from the actual film soundtrack or re- recorded in the studio at an earlier or later time.

The phrase is also sometimes incorrectly used for Broadway cast recordings. While it is correct in some instances to call a "soundtrack" a "cast recording" (since in most cases it contains performances recorded by the original film cast) it is never correct to call a "cast recording" a "soundtrack."Contributing to the vagueness of the term are projects such as The Sound of Music Live! NBC holiday season special first broadcast in 2. The album released three days before the broadcast contained studio pre- recordings of all the songs used in the special, performed by the original cast therefrom, but because only the orchestral portion of the material from the album is the same as that used in the special, (i. CD will lock to picture, the vocal performances will not, although it IS possible to create a complete soundtrack recording by lifting the vocal performances from the DVD, erasing the alternate vocal masters from the CD and combining the two.

Among MGM's most notable soundtrack albums were those of the films Good News, Easter Parade, Annie Get Your Gun, Singin' in the Rain, Show Boat, The Band Wagon, Seven Brides for Seven Brothers, and Gigi. Film score albums[edit]Film score albums did not really become popular until the LP era, although a few were issued in 7. Alex North’s score for the 1. A Streetcar Named Desire was released on a 1. LP by Capitol Records and sold so well that the label later re- released it on one side of a 1.

LP with some of Max Steiner's film music on the reverse. Steiner’s score for Gone with the Wind has been recorded many times, but when the film was reissued in 1. MGM Records finally released an album of the famous score recorded directly from the soundtrack. Like the 1. 96. 7 re- release of the film, this version of the score was artificially "enhanced for stereo". The Face Of An Angel Movie Watch Online. Watch Devil`S Bible Full Movie there.

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