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Leni Riefenstahl - Wikipedia. Leni Riefenstahl. Born. Helene Bertha Amalie Riefenstahl(1. August 1. 90. 2Berlin, German Empire. Died. 8 September 2.

Pöcking, Germany. Cause of death. Cancer.

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Resting place. Munich Waldfriedhof. Nationality. German. Sudanese. Occupation. Dancer, actress, film director, producer, screenwriter, author. Years active. 19. Known for. Triumph des Willens. Olympia. Spouse(s)Peter Jacob (1.

Relatives. Heinz (brother), Bertha (mother), Alfred (father)Website. Official website. Helene Bertha Amalie "Leni" Riefenstahl (German: [ˈʁiːfn̩ʃtaːl]; 2. August 1. 90. 2 – 8 September 2. German film director, producer, screenwriter, editor, photographer, actress and dancer. Born in 1. 90. 2, Leni Riefenstahl grew up in Germany with her brother Heinz (1.

Eastern Front in World War II. A talented swimmer and artist, she also became interested in dancing during her childhood, taking dancing lessons and performing across Europe. After seeing a promotional poster for the 1.

Der Berg des Schicksals ("The Mountain of Destiny"), Riefenstahl was inspired to move into acting. Between 1. 92. 5 and 1. In 1. 93. 2, Riefenstahl decided to try directing with her own film called Das Blaue Licht ("The Blue Light"). In the 1. 93. 0s, she directed Triumph des Willens ("Triumph of the Will") and Olympia, resulting in worldwide attention and acclaim. Both movies are widely considered two of the most effective, and technically innovative, propaganda films ever made. Her involvement in Triumph des Willens, however, significantly damaged her career and reputation after the war. The exact nature of her relationship with Nazi Party leader Adolf Hitler remains a matter of debate.

However, Hitler was in close collaboration with Riefenstahl during the production of at least three important Nazi films, and a closer friendship is claimed to have existed. When in 2. 00. 0 Jodie Foster was planning a biographical drama on Riefenstahl, war- crime documenters warned against a revisionist view that glorified the director. They stated that publicly Riefenstahl seemed "quite infatuated" with Hitler and was in fact the last surviving member of his "inner circle".[3] Others go further, arguing that Riefenstahl's visions were essential to the success of the Holocaust.[4] After the war, Riefenstahl was arrested, but classified as being a "fellow traveler" or "Nazi sympathiser" only and was not associated with war crimes. Throughout her life, she denied having known about the Holocaust.

Besides directing, Riefenstahl released an autobiography and wrote several books on the Nuba people. Riefenstahl died of cancer on 8 September 2. Munich Waldfriedhof. Early life[edit]Helene Bertha Amalie Riefenstahl was born in Germany on 2. August 1. 90. 2. Her father, Alfred Theodor Paul Riefenstahl,[6] owned a successful heating and ventilation company and wanted his daughter to follow him into the business world.

Since Riefenstahl was the only child for several years, Alfred wanted her to carry on the family name and secure the family fortune. However, her mother, Bertha Ida (Scherlach), who had been a part- time seamstress before her marriage, had faith in Riefenstahl and believed that her daughter's future was in show business. Homeland Recap Season 4 here. Riefenstahl had a younger brother, Heinz, who was killed at the age of 3.

Eastern Front in Nazi Germany's war against the Soviet Union. Riefenstahl fell in love with the arts in her childhood.

She began to paint and write poetry at the age of four. She was also athletic, and at the age of twelve joined a gymnastics and swimming club.

Her mother was confident her daughter would grow up to be successful in the field of art and therefore gave her full support, unlike Riefenstahl's father, who was not interested in his daughter's artistic inclinations. In 1. 91. 8, when she was 1. Riefenstahl attended a presentation of Snow White which interested her deeply; it led her to want to be a dancer.

Her father instead wanted to provide his daughter with an education that could lead to a more dignified occupation. His wife, however, continued to support her daughter's passion. Without her father's knowledge, she enrolled Riefenstahl in dance and ballet classes at the Grimm- Reiter Dance School in Berlin, where she quickly became a star pupil. Dancing and acting careers[edit]Riefenstahl attended dancing academies and became well known for her self- styled interpretive dancing skills, traveling across Europe with Max Reinhardt in a show funded by Jewish producer Harry Sokal. Riefenstahl often made almost 7.

Reichmarks for each performance and was so dedicated to dancing that she gave filmmaking no thought. She began to suffer a series of foot injuries that led to knee surgery that threatened her dancing career. It was while going to a doctor's appointment that she first saw a poster for the 1. Der Berg des Schicksals ("The Mountain of Destiny"). She became inspired to go into movie making, and began visiting the cinema to see films and also attended film shows. On one of her adventures, Riefenstahl met Luis Trenker, who was an actor from Der Berg des Schicksals.

At a meeting arranged by her friend Gunther Rahn, she met Arnold Fanck, the director of Der Berg des Schicksals and a pioneer of the mountain film genre. Fanck was working on a film in Berlin. After Riefenstahl told him how much she admired his work, she also convinced him of her acting skill. She persuaded him to feature her in one of his movies. Riefenstahl later received a package from Fanck containing the script of the 1.

Der Heilige Berg ("The Holy Mountain"). She made a series of films for Fanck, where she learned from him acting and film editing techniques. One of Fanck's films that brought Riefenstahl into the limelight was Die Weisse Hölle vom Piz Palü ("The White Hell of Piz Palü") of 1.

G. W. Pabst. Her fame spread to countries outside Germany. Riefenstahl produced and directed her own work called Das Blaue Licht ("The Blue Light") in 1.

Carl Mayer and Béla Balázs. This film won the Silver Medal at the Venice Film Festival, but was not universally well- received, for which Riefenstahl blamed the critics, many of whom were Jewish. Upon its 1. 93. 8 re- release, the names of Balázs and Sokal, both Jewish, were removed from the credits; some reports claim this was at Riefenstahl's behest. In the film, Riefenstahl played an innocent peasant girl who is hated by the villagers because they think she is diabolic and cast out.

She is protected by a glowing mountain grotto. According to herself, Riefenstahl received invitations to travel to Hollywood to create films, but she refused them in favour of remaining in Germany with a boyfriend. The film attracted the attention of Hitler, who believed she epitomized the perfect German female. He saw talent in Riefenstahl and arranged a meeting. In 1. 93. 3, Riefenstahl appeared in the U. S.- German co- productions of the Arnold Fanck- directed, German- language SOS Eisberg and the Tay Garnett- directed, English- language SOS Iceberg.

The movies were filmed simultaneously in English and German and produced and distributed by Universal Studios. Her role as an actress in SOS Iceberg was her only English language role in film. Directing career[edit]Propaganda films[edit]Riefenstahl heard Nazi Party (NSDAP) leader Adolf Hitler speak at a rally in 1. Describing the experience in her memoir, Riefenstahl wrote, "I had an almost apocalyptic vision that I was never able to forget. It seemed as if the Earth's surface were spreading out in front of me, like a hemisphere that suddenly splits apart in the middle, spewing out an enormous jet of water, so powerful that it touched the sky and shook the earth". Riefenstahl eventually came to the notice of Hitler who was immediately captivated by her work.

She is described as fitting in with Hitler’s ideal of Aryan womanhood, a feature he had noted when he saw her starring performance in Das Blaue Licht.[1.