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Until the Quiet Comes - Wikipedia. Until the Quiet Comes is the fourth studio album by American electronic producer Flying Lotus. It was released on September 2. Warp Records. After his 2. Cosmogramma, Flying Lotus continued his creative partnership with bassist Thundercat and worked with him on music that led to the album. For Until the Quiet Comes, he drew on African percussion and psychedelic musical influences, human- subconscious and dream world concepts, and different mixing techniques and dynamics. He recorded for two years at his home in Los Angeles primarily using an Ableton Live sequencer along with other instruments and software, and recorded with guest vocalists including Erykah Badu, Thom Yorke, and Laura Darlington.

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An electronic jazz record, Until the Quiet Comes features free jazz elements, varying musical tones, contracting scale, and shifts in feel. Its songs are sequenced together and characterized by ghostly vocal production, irregular drum beats, pulsating percussive textures, trembling basslines, trilled synthesizers, and fluctuating samples. The album has a journey- like concept and dreamy musical narrative, which Flying Lotus conceived through astral projection and felt could be interpreted uniquely by listeners. Music writers interpret it as a musical accompaniment to dreams, as well as emotional introspection by Flying Lotus. Until the Quiet Comes was promoted with two singles and a short film featuring music from the album.

Flying Lotus also embarked on a supporting international tour during October to November 2. North America and abroad. The album debuted at number 3.

Billboard 2. 00 and sold 1. Flying Lotus' sound engineering. Background[edit]"I feel like that [dream] world fascinates me so much. That feeling is very present in the artist's mind where creative ideas flourish. The notion of the unknown and beyond is something that I've always been curious about, and the music and work that do [sic] is where I can ask those questions."—Flying Lotus, Vibe[3]In 2.

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Flying Lotus released his third album Cosmogramma to critical acclaim and mainstream exposure.[4][5] He recorded the album while grieving his mother's death,[6] and titled it as a reference to his late great- aunt Alice Coltrane.[7] The album showcased his dense,[7] loose mix of electronic and live instrumentation with avant- garde jazz, dance,[4] and hip hop influences.[8] During its recording, he developed a creative relationship with contributing bassist Thundercat,[5] a member of his Brainfeeder record label.[8] They continued working together on Flying Lotus' 2. EP Pattern+Grid World,[5] which continued the dense electronic style of Cosmogramma.[9] They developed more musical ideas together, from which Flying Lotus culled and produced for Thundercat's debut album The Golden Age of Apocalypse in 2. For Until the Quiet Comes, Flying Lotus was inspired by African percussion music and psychedelic bands such as Silver Apples, Can, Stereolab, Portishead, and Gentle Giant.[3][1. He also returned to listening to the music of his relatives Alice and John Coltrane after listening excessively to austere electronica while recording Cosmogramma.[6] Musically, he wanted to avoid repeating himself and chose a more minimal direction for the album,[1. Cosmogramma's music for "tension and release".[1.

He elaborated on his direction for the album in an interview for The National, saying that "I think I'd have been in a bad position if I tried to recreate the same energy as I did on Cosmogramma – like, go in further. How about we pull back, try to do something that gets to the core of the emotional sentiment. Watch Adventures Of Don Juan Online Free HD. Not so grand, more intimate. But still have the core of what it is."[1. Conceptually, Flying Lotus pursued human- subconscious and dream world themes.[3] He sought to tone down Cosmogramma's grandiose, universal concept and create a timeless, journey- like work with Until the Quiet Comes,[3][1. He imagined himself astral projecting when conceiving the album and tried to translate ideas from fiction he had read into music, including holographic universes, metaphysics, New Age philosophy, and astrodynamics.[1.

In conceiving a narrative for the album, he drew on Joseph Campbell's hero's journey literary theory to introduce a world, characters, and situations musically.[1. He characterized the album as both "a collage of mystical states, dreams, sleep and lullabies",[1.

He clarified the idea in an interview for Spin as "that whole experience of being innocent in this new world that you don't really understand. I imagined Little Nemo on a flying bed floating over the city, and this is the soundtrack to it."[1. Flying Lotus felt more confident in his ideas and as a recording artist after striving to distinguish himself from his contemporaries on previous albums.[2. Recording and production[edit]"[Flying Lotus] used to be printing mixes that were completely maxed, so this record was definitely different .. Looking at way back until today, his compositional understanding, his ability to balance arrangements, has really moved forward into a less- cluttered headspace."—Daddy Kev, Electronic Musician[2.

Flying Lotus started working on Until the Quiet Comes at his home in Mount Washington, Los Angeles,[1. Echo Park.[2. 1] He recorded the album for two years,[2.

He revisited scrapped ideas from the sessions for Thundercat's debut album and revised their direction for Until the Quiet Comes.[5] The song "Hunger" developed from a demo he had recorded for the soundtrack to one of the Twilight films, and "Sultan's Request" was performed live by Flying Lotus for three years before the album.[2. For "Electric Candyman", he used a beat he had prepared for sessions that ultimately fell through with Burial, and he used a five- year- old recording with Samiyam for the second half of "The Nightcaller".[2. Flying Lotus recorded Until the Quiet Comes in a three- part process—first composing rough drafts for songs, then refining them for several months with additional instrumentation to make them substantial, and finally mixing the songs for a cohesive album.[2. Unlike with his previous work, he concentrated on his music's dynamics rather than just its production when working on the album.[1. Interested in music theory and arrangements,[2.